The
cover of this book says that it was written by “Renowned Poet Marilyn Singer”
and illustrated by “Caldecott Medalist Ed Young.” Absolutely true on both
counts. I was a big fan of Singer’s poems in her books Footprints on the Roof,
Crossing the Pond, and Central Heating even before she won kudos for her
astonishingly cool book, Mirror Mirror: A Book of Reversible Verse. And Ed
Young is an elder statesman when it comes to picture book illustration, having
won the Caldecott for Lon Po Po and Caldecott honors for two more books, The Emperor and
the Kite and Seven Blind Mice, among many other awards. So of course I was looking forward to seeing
this collaboration.
The
premise is equally intriguing. Singer has written a collection of poems about
animals that live in what the introduction to the book calls “[e]xtreme environments such
as deserts, glaciers, salt lakes, and pools of oil.” She begins with Humboldt
penguins that live, not in Antarctica, but on the coasts of Chile and Peru.
“Where they have to dig burrows/with bills and with legs,/so the scorching
sun/won’t hard-boil/each precious clutch of eggs....” Then we’re off to visit the
snow monkeys, “submerged in a hot spring, taking a bath.” Spadefoot toads, ice
worms, blind cave fish, flamingos, tube worms, mountain goats, limpets, camels,
mudskippers, dippers, petroleum flies (really!), and urban foxes complete the
list. After which we find five pages of endnotes about the creatures and another page
about poetry forms—very gratifying!
Singer doesn't just stick to one poetry form in this book; she includes free verse, rhymed poems, and several specific, formal poems: a triolet, a haiku, a sonnet, a cinquain, a villanelle, and a terza rima (as her endnote explains).
My favorite poem in the collection is about limpets:
On
the Rocks
In
the intertidal zones,
where
waves are prone
to
be forceful,
where
the waters rush
to
batter, buffet, crush,
dislodge,
displace, fling,
a
limpet is resourceful.
Its
fine construction
employs
suction.
In
other words, its thing
is
mightily to cling.
Ed
Young has illustrated the poems with cut-and-torn-paper collage. I’m guessing
he made some of the paper himself, and dyed and/or painted it, as well. The variable
textures and edges work beautifully with the natural forms the artist depicts. The
only spread I had a little trouble figuring out is the camel's—but then, the animal is in
a sandstorm! And check out the wings on the petroleum flies. Or the crazy angle
of the mountain goat. Not to mention the leg-driven spread accompanying the
flamingo poem.
A
Strange Place to Call Home is a double whammy, since it functions as both a
poetry book and a look at a weird little corner of natural science. I’ll end
with the subtitle, which I forgot to give you earlier: "The World’s Most
Dangerous Habitats and the Animals that Call Them Home.” Can’t beat that!
Note: Thanks to Chronicle Books for sending me a review copy of this book.
2 comments:
I have decided that I prefer "poetry written for children" to any other kind of poetry. Just saying.
This sounds like the PERFECT book to add to our homeschool collection - literature, art, and science covered in one fell swoop!
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