Eighteen-year-old Celaena Sardothien is the best
assassin in the entire region, if not the known world. This is not as Mary Sue
as it sounds because Celaena has paid dearly for her knowledge and abilities.
She is currently locked up in a horrible prison camp, though she was only
caught because someone betrayed her. Now a prince has come to free her so she can represent him in a contest to become his father’s assassin. Murderers
and assassins from all over the kingdom and beyond are gathered at the tyrant’s
glass palace for the competition.
Celaena
is confident even though prison life has taken a toll on her health. Her keeper
and trainer is a guard captain named Chaol. Against their better judgment, both
he and Prince Dorian are drawn to Celaena. So yes, this one has all the
ingredients for a typical paranormal/fantasy, with two hot, powerful guys
falling for our heroine. But Maas mostly manages to write her way beyond the
clichés. She does this by making her characters complex and by making us care
about them. In addition, the plot takes some nice twists and turns. These are
practically gothic, involving creepy deaths, a hidden chamber,
uncertain alliances, and conspiracies. All of this is very fun and makes Throne
of Glass a swooshing ride of a story.
Celaena
is the best, but she’s up against some scary competition, particularly a giant
of a man named Cain. The final battle is not what you are expecting, which is a
very good thing from a storytelling standpoint.
Along
the way, Celaena has moments of romance or at least connection with both of the
men in her life. She also makes friends with a foreign princess named Nehemia
and the ghost of a famous queen.
The
fact that Dorian’s father is a terrible man adds to the plot tension. If
Celaena does win, she will have to work for the person who has conquered and
essentially destroyed many kingdoms, including the one she came from. We get a few faint hints that Celaena may be a lost princess, kind of like
Princess Anastasia surviving the deaths of the Romanovs.
The
supernatural elements blend nicely with the rest of the plot. There’s an evil
magic powering the bad guys’ nefarious plans, and Celaena has connections to its opposite number, the good
magic. None of this is overdone.
One
of the most interesting things about the story is the way Celaena is maneuvered
by people like the prince and Chaol. And by maneuvered, I mean that she
is a prisoner. She is locked in her chambers under guard, and she is constantly being
told what to wear and where to go. How can she maintain her sense of self and
plan for her future? She finds ways, but always within the constraints laid
upon her. The glass palace is a strangely successful metaphor—like her life, it
is transparent and fragile, yet obscure and powerful at surprising moments.
The
writing itself is ordinary, even a bit purple in spots, but it does the job.
Here is Celaena exploring a hidden passageway deep beneath her rooms.
Celaena soon found herself before the other two portals. What other disappointments would she find in them? She had lost interest. But the breeze stirred again, and it blew so hard toward the far right arch that Celaena took a step. The hair on her arms rose as she watched the flame of her candle bend forward, pointing to a darkness that seemed blacker than all the rest. Whispers lay beneath the breeze, speaking to her in forgotten languages. She shuddered, and decided to go in the opposite direction—to take the far left portal. Following whispers on Samhuinn could only lead to trouble.
Follow
the whispering passages with Celaena and see what you find. I was afraid I
wouldn’t like this book because of its “fighting assassins” premise, but that’s
a surprisingly small part of the plot. The palace intrigue makes the book much
richer than I expected. I think you’ll like this one.
The
trailer’s not bad, maybe because it doesn’t attempt to be narrative.
Note
for Worried Parents: Another teen book with violence and mature themes. Nothing
too awful for teens, but not well suited for the under-12 crowd.
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