A Review of April and Esme: Tooth Fairies by Bob Graham

I'll admit that I wanted to get ahold of this book partly because I have a picture book about the Tooth Fairy pending publication (waiting, waiting, waiting for an illustrator!), and I wanted to check out the competition. But that reason is secondary to a really important one, which is that April and Esme: Tooth Fairies is by Bob Graham. In case you aren't familiar with his work, here's my review of his beautiful book How to Heal a Broken Wing. I also like Graham's "Let's Get a Pup!" Said Kate—and not just because the girl is named Kate and the mom has a tattoo and a nose ring. (Trust me, they're the sweetest characters!)

Now, April and Esme Underhill are the children of Tooth Fairy parents, living in a tiny house nestled against a tree stump. Imagine seven-year-old (and three quarters!) April's surprise and joy when she gets a request for a tooth pick-up, her very first. What's more, she's going to bring her little sister Esme along. At first her parents say no, but they gradually come around, and the two girls are off on a splendid adventure, carrying a coin in a mesh bag as they fly across the countryside and into the suburban home where one Daniel Dangerfield is sleeping. They make the money/tooth exchange, though not without incident, then wing home in triumph.

This story is pretty simple, but it's just so lovely, and there are two reasons for that: first, Bob Graham's text shows a rich awareness of how real people, especially real children, talk and act. For example, April gets the tooth request on her cell phone, and when she hangs up and her dad asks what the call was about, she replies, "Don't say anything, Daddy... We're collecting a boy's tooth tonight, and I have to write this down." Later, when she and Esme reach Daniel's house and are wondering where his room is, they decide their best bet is to follow the trail of toys. Look also for a funny moment in Daniel's grandmother's room.

The other reason April and Esme is so very nice is Graham's endearing artwork. It's hard to believe his illustrations can be so darn cute without being overly sentimental. Watch for mundane yet clever details: the teeth swinging from the ceiling of the Underhills' cottage, the way Mrs. Underhill takes a bath in a (human sized) teacup and plays a game with her winged children using her blow dryer, also the fact that the toilet is apparently made from an egg cup. (I think the sink is a thimble.) As always, Graham's characters are sturdy and ordinary looking, though here they have the minor addition of wings. Even the family dog has fairy wings!

Graham understands that real life is just a bit grungy, so his cover art, while it shows the two little girls flying through the night above some flowers, includes a popsicle stick and a soda can tab amongst the dandelion leaves and grass. Plus the kids' clothes are slightly mismatched and askew.

This small team runs into a surprising difficulty during the tooth retrieval, but April handles things with perfect logic and even panache. Upon their return home, the two fairy children are greeted with lots of hugs, and we get a hint about the eventual fate of the teeth that have been collected. Graham makes an interesting decision on the last page: he ends the story with a wistful, wide-angle glimpse of the little cottage dreaming on its hill. The language in this brief epilogue sounds like something out of a fairy tale... Which only makes sense.

I think what I like best about Bob Graham is how lovingly he portrays families—and what loving families he portrays. Whether they're adopting dogs, rescuing hurt pigeons, or flying around at night collecting baby teeth, this author-illustrator's families somehow manage to be more warm and caring than the families in all the other picture books combined.

You really should discover Bob Graham's work.

Three Bird Books for Spring

It’s the quintessential image of spring: three blue eggs in a robin’s nest. And so I give you three books, each as surprising as a new egg. Two of them are recent arrivals, while the third is out of print. Each captures the poetry of birds in a way I think Emily Dickinson would have appreciated. Birds are fantastic metaphors, after all. Their eggs represent new life and their flight represents hope and freedom. Remember Dickinson’s poem? “Hope is the thing with feathers/That perches in the soul/And sings the tune without the words/And never stops at all....”

Birdsong by Audrey Wood and Robert Florczak

Birdsong is out of print, but it’s still a favorite of mine. Readers will travel around the United States for a day, bird watching with children in different states as they go. The text is simple: “Caw-caw-caw—swaying on telephone wires, jaunty crows banter at dawn. Missy and Deni awaken to birdsong.” A look at the key on the back cover tells us that these kids live in West Virginia, that the birds they hear are American crows, and that the flowers in the page border are Big rhododendron. Next it’s on to cardinals in Arizona and rock pigeons in New York. Fourteen birds later, evening falls with an owl calling in Michigan.

Robert Florczak’s illustrations are quietly appealing as well as accurate. In nearly every spread, one or two children play or hike or work while noticing the birds calling nearby.

Birdsong didn’t hit it big like the author’s book, The Napping House, but I loved sharing it with my students. We attempted to guess the states and flowers before peeking at the back of the book, and of course we tried out each birdsong. The songs are transcribed well, so they’re easy to imitate. This is unabashedly a concept book, with the slimmest imaginable narrative arc. But Birdsong shows young readers something new, a way of listening to the world. After you’ve read it, you’ll find yourself noticing birdsongs all around you. It turns out Earth has a soundtrack.

Birds by Kevin Henkes

Birds is the work of an amazingly talented author-illustrator, Kevin Henkes. He is well known for writing a number of picture books about mice as schoolchildren, including Owen and Lilly’s Purple Plastic Purse. He then turned his hand to middle grade fiction with books like Olive’s Ocean, a 2004 Newbery Honor book. More recently, Henkes has been making picture books for a slightly younger crowd, say two- to five-year-olds instead of four- to seven-year-olds. He’s very good at that, too, winning the 2005 Caldecott for Kitten’s First Full Moon and rave reviews for Old Bear and A Good Day.

Birds is Henkes’s latest picture book, really an illustrated free verse poem. At first its narrator is unseen, but like Audrey Wood’s characters, she begins her day with birdsong. The child then tells us a series of seemingly random things about birds. She remarks on their colors and sizes before giving an anecdote, a what if, an even more fanciful what if, and so on. As the book progresses, metaphor becomes more and more important in a rising way that may remind you of a bird taking flight. Here’s one example partway through: “Sometimes in winter, a bird in a tree looks like one red leaf left over.”

Birds makes a deliberate, delicate transition from the factual to the metaphorical, the way a fine green vein travels through a spring leaf. I think maybe Henkes is saying that bird facts are great, but the free-winged beauty a bird brings to our world is even better. Whatever his message, his book gives me spring fever, a desire to run through the grass barefoot and, like his young narrator, sing into the sunshine.

How to Heal a Broken Wing by Bob Graham

I ordered this book because I’d read the author's “Let’s Get a Pup,” Said Kate! and liked it very much, especially the funny, friendly illustrations. Later I found out that How to Heal a Broken Wing had won the Charlotte Zolotow and Cybils awards for best picture book of 2008 and was an ALA Notable Children’s Book.

It is very difficult to write a tender book without being alarmingly sentimental, but Bob Graham knows the value of understatement. A little boy in a big city finds an injured pigeon on the way home with his working mother. He insists on rescuing the bird, and his parents help him care for it while it heals. Nothing special? Just listen to the first page: “High above the city, no one heard the soft thud of feathers against glass.” On the next page, we read simply, “No one saw the bird fall.” Graham's language is gently lovely, but his illustrations make How to Heal a Broken Wing soar. With simple lines and just a few colors, Graham paints a vast cityscape that dwarfs the bird and the child at the center of his tale. Yet he also uses smaller, graphic novel-style sequences to illustrate parts of the story. The author-illustrator has a knack for pacing his close-ups and wide-angle shots. The blue-tinged palette lends a slightly melancholy air to most of the narrative, then surprises by leading us to the top of the sky. And the same type of slightly comical characters Graham drew for “Let’s Get a Pup” read here as sublimely ordinary, led by our small hero, Everychild.

This book isn’t just about helping a hurt pigeon, it’s about keeping your eyes open in a world where too many people have their eyes closed. It is also about hope. As the author puts it, "A loose feather can't be put back...but a broken wing can sometimes heal." For some reason, How to Heal a Broken Wing reminds me of Shaun Tan’s The Arrival. I think it’s because both books give me a bone-deep feeling of being glad to be alive and human.

The crepe myrtles in my town are blooming pinkly and the birds are calling from dawn to dusk. Even in sunny California, the world changes when spring comes. Wherever you are, and however much your own neighborhood has bloomed, I suggest you celebrate with one of these picture books. If you're in the mood for more bird books, I also highly recommend First the Egg by Laura Vaccaro Seeger, An Egg Is Quiet by Dianna Hutts Aston and Sylvia Long, and an out-of-print folktale called The Language of Birds by Rafe Martin and Susan Gaber.